TIM RICE has worked in music, theatre and films since 1965 when he met Andrew Lloyd Webber, a fellow struggling songwriter. Rather than pursue Tim’s ambitions to write rock or pop songs they turned their attention to Andrew’s obsession–musical theatre. Their first collaboration was based on the life of Dr. Thomas Barnardo, the Victorian philanthropist, The Likes Of Us. Their next three works together were much more successful–Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita.

Tim has since worked with other distinguished popular composers such as Elton John (The Lion King, Aida), Alan Menken (Aladdin, King David, Beauty and the Beast), Bjorn Ulvaeus and Benny Andersson (Chess),and Stuart Brayson (From Here To Eternity).He also written with Freddie Mercury, Burt Bacharach and Rick Wakeman among others.

He has recently written and presented 50 weekly podcast chats (entitled Get Onto My Cloud) which are mercifully short (25 mins max) reminiscing about his years in music, theatre and film–playing hits and flops, out-takes and number ones.bpn.fm/getontomycloud In 2021 he and Peter Hobbs wrote Gee Seven for the Truro Cathedral Choir to coincide with the G7 economic summit invasion of Cornwall.

Tim founded his own cricket team in 1973, which has now played over 700 matches, and was President of MCC, founded in 1789, in 2002. He was appointed President of the London Library in 2017 in succession to Sir Tom Stoppard. He is a Trustee of Sunderland FC’s Foundation of Light and a Life Vice-President of the schools/cricket charity Chance to Shine. He crops up here and there in all branches of the media drawing on his extensive knowledge of the history of popular music since Elvis was a lad. He has won several awards, mainly for the wrong thing or for simply turning up.

Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. From Joseph and the Amazing Technicolor Dreamcoat (1968) to Cinderella (2021) his work has been consistently seen on world stages. Before the covid pandemic hit, Lloyd Webber had shows continually running in the West End for 48 years and on Broadway for 41. When Sunset Boulevard joined School Of Rock, Cats and The Phantom of the Opera he equalled Rodgers and Hammerstein’s record of four shows running simultaneously on Broadway. He is one of the select group of artists with EGOT status, having received Emmy, Grammy, Oscar and Tony Awards. 

Lloyd Webber owns seven London theatres including the iconic London Palladium and Theatre Royal, Drury Lane. Over the past three years the latter has been completely restored and renovated at a cost of over £60 million. It is one of the biggest projects ever undertaken by a private theatre owner in recent times. His mantra that every penny of profit made from his theatres is ploughed back into the buildings has meant that considerable work has been undertaken across his theatre portfolio during the pandemic, including the complete re-modelling and re-seating of the Gillian Lynne. 

Lloyd Webber is passionate about the importance of musical education and diversity in the arts. The Andrew Lloyd Webber Foundation provides 30 performing arts scholarships every year for talented students with financial need and supports a range of projects such as the Music In Secondary School Trust and commissioning research into diversity in theatre. 

Andrew Lloyd Webber was knighted in 1992 and created an honorary life peer in 1997. To mark his 70th birthday, his best selling autobiography Unmasked was published by Harper Collins in March 2018.

Director: Cinderella (Gillian Lynne Theatre); Joseph and the Amazing Technicolor Dreamcoat (The London Palladium); Chess (English National Opera); Unmasked (The Other Palace); Miss Saigon (Broadway, West End, US tours, UK tours, Australia, Japan, Korea, Austria); School of Rock (Broadway, West End, US tour, UK tour, Australia, China and Korea); Les Misérables (West End, Broadway, US tours, UK tours, Australia, Japan, Korea and Spain); Jesus Christ Superstar (UK and Australian arena tour); The Phantom of the Opera (UK and US tours); Oliver! (UK tour).

He directed the 25th anniversary concert of The Phantom of the Opera at the Royal Albert Hall and the 25th anniversary concert of Les Misérables at the O2 in London, both of which were simultaneously broadcast in cinemas worldwide and subsequently released on DVD.

DVD credits: Jesus Christ Superstar (world arena tour); The Phantom of the Opera 25th anniversary concert (Royal Albert Hall) and Les Misérables (O2 Arena) and Miss Saigon (Prince Edward Theatre).

Awards: Miss Saigon on Broadway (Tony nomination for Best Revival); Miss Saigon (UK – Manchester Evening News Award for Best Touring Musical, Korea – Best New Foreign Production and Best Ensemble in a Musical, and Australia – the Green Room Award for Best Director of a Musical) and Les Misérables (UK – Best Musical at the Manchester Evening News Awards).

Recent credits: Wonderland (Nottingham Playhouse/Northern Stage. UK Theatre Award for Best Design); Violet, The Woman in White, Death Takes a Holiday (Set Design, Charing Cross Theatre); The Lady Vanishes, Rain Man (Bill KenwrightLtd); Guys and Dolls (Royal Albert Hall); Rock of Ages, Fame! (UK Tours); Spamilton (Menier Chocolate Factory); Tell Me on a Sunday (Set Design, Majestic Theatre, Shanghai/RUG); Ruthless! (Arts Theatre); The Christmasaurus (Hammersmith Apollo); Top Hat (Set Design), Thoroughly Modern Millie(Kilworth House); Tango Moderno (UK Tour); George’s Marvellous Medicine (Leicester Curve/UK Tour); Deathtrap (Salisbury Playhouse/UK Tour).

Other credits: Cat on a Hot Tin Roof (Novello Theatre.Olivier Awardfor Best Revival of a Play); Othello, Lives in Art (Sheffield Crucible); The Last Tango (Phoenix Theatre/UK Tour); Forbidden Broadway (Vaudeville Theatre/Menier Chocolate Factory); Midnight Tango (Phoenix Theatre/Aldwych Theatre/UK Tours); The Life of the Party (TheatreWorks, California/Menier Chocolate Factory); Love Me Tender (UK Tour); Dance ’til Dawn (Aldwych Theatre/UK Tour); Our New Girl (Bush Theatre); Room on the Broom (Lyric Theatre/Garrick Theatre/World Tour); Flashdance (Shaftesbury Theatre); Sign of the Times (Duchess Theatre); Footloose (Playhouse Theatre/Novello Theatre/UK Tour/South Africa).

Ben is an Associate Artist of Curve in Leicester. He trained at Rose Bruford College of Speech and Drama in London where he was honoured to be awarded a Fellowship in 2021.

West End includes: Joseph and the Amazing Technicoloured Dreamcoat (London Palladium); Heathers (Theatre Royal Haymarket); Inala (Peacock Theatre); Young Frankenstein (Garrick); Annie (Piccadilly); Panto land at The Palladium, Goldilocks and the Three Bears, Snow White, Dick Whittington and Cinderella (London Palladium); Breakfast at Tiffanys (Theatre Royal Haymarket); All the Fun of the Fair (Garrick); Visiting Mr Green (Trafalgar Studios); Dancing in the Streets (Cambridge) and African Snow (Trafalgar Studios).

Regional and UK tours include: Sunset Boulevard & The Color Purple At Home (Streamed from Curve), Priscilla Queen of the Desert, How the Grinch Stole Christmas, Rough Crossing, Dracula, Rock of Ages, The Addams Family, La Cage Aux Folles (UK Tours); Love on the Links & Before the Party (Salisbury Playhouse); My Beautiful Laundrette, An Officer and a Gentleman, Sunset Boulevard, Beautiful Thing(Curve/UK tour); What the Butler Saw (Curve/Theatre Royal Bath); The Importance of Being Ernest (Birmingham Rep/Curve); Kiss Me Kate (WNO/Opera North), Saturday Night Fever (Theatre Royal, Bath/UK tour); The Tempest, Othello, Much Ado About Nothing and As You Like It (Stafford Shakespeare Festival); The Memory of Water (New Vic, Stoke); Our House (New Wolsey, Ipswich/UK tour); Sherlock Holmes, Angus Thongs and Even more Snogging (West Yorkshire Playhouse); Merrily We Roll Along (Theatre Clwyd).

International Includes: Chess (Tokyo & Osaka); La Clemenza di Tito (Opéra de Lausanne/Operade Oviedo); Romeo und Julia (Theater Trier); Annie and Chess (Toronto); The Picture of Dorian Grey, The Life, Strangers On A Train, Sweet Charity and Tommy (English Theatre, Frankfurt); Legally Blonde (South Korea); Inala (Sadlers Wells/International tour); Faust, 1984 (Altes Schauspielhaus, Stuttgart); Dracula (Singapore/Bangkok) and Voices of The Amazon.

Television includes: Quadrophenia, The Classic Brit Awards (Royal Albert Hall); The Olivier Awards 2011-2019 (2014 & 2019 Knight of Illumination Award for Best Lighting) (Royal Opera House and Royal Albert Hall); The Kinshasa Symphony Orchestra (Royal Festival Hall) and Il Divo (Coliseum).

Sound Design Award highlights: Oliver Award, Outer Critics Circle Award, Broadway World Award, Green Room Award, Dora Award, Craig Noel Award, and the WhatsOnStage Award for COME FROM AWAY; Olivier Award for MEMPHIS, Olivier Award for MERRILY WE ROLL ALONG, Tony nomination for A LITTLE NIGHT MUSIC, Tony nomination for END OF THE RAINBOW, Olivier nomination for BAT OUT OF HELL, Olivier nomination for TOP HAT, Olivier nomination for END OF THE RAINBOW, and the Pro Sound Award for SOUND ENGINEER OF THE YEAR.

West End Musical Design highlights: BACK TO THE FUTURE, ALWs CINDERELLA, PRINCE OF EGYPT, &JULIET, COME FROM AWAY, BAT OUT OF HELL, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT, STRICTLY BALLROOM, 42ndSTREET, YOUNG FRANKENSTEIN, WIND IN THE WILLOWS, MRS HENDERSON PRESENTS, MEMPHIS, I CAN’T SING, IN THE HEIGHTS,TOP HAT, MERRILY WE ROLL ALONG, and END OF THE RAINBOW.

International Design highlights: MJ (Broadway), DIANA (Broadway), MAMMA MIA! THE PARTY (Worldwide), SUMMER (Broadway), COME FROM AWAY (Broadway), BRONX TALE (Broadway), Disney’s HUNCHBACK OF NOTRE DAME (Worldwide), SPRING AWAKENING (Broadway), Disney’s LITTLE MERMAID (Worldwide), END OF THE RAINBOW (Broadway), Disney’s BEAUTY & THE BEAST (Worldwide), A LITTLE NIGHT MUSIC (Broadway), SECRET GARDEN (New York), CLUELESS (New York), SISTER ACT(Worldwide), and STARLIGHT EXPRESS (Bochum, Germany).

Richard has enjoyed a great career in hair, make-up and wigs. He has worked on “Finding Neverland” “Evita”, “La Cage Aux Folles”, “Frost Nixon”, ”Waitress” and “Priscilla” in New York. London theatre credits include “Fiddler on the Roof”, “Nine to Five”, ”Uncle Vanya”, “Guys and Dolls at the Royal Albert Hall”, ”Pack of Lies”, ”Pinter at the Pinter”, ”The Lieutenant of Inishmore”, ”Labour of Love”, ”Spamilton”, “Lazarus the David Bowie Musical”, “The Libertine”, “ Mrs Henderson Presents”, ”Elf”, “The Kenneth Branagh Theatre Season”, “The Ruling Class”, “Assassins”, “Urinetown”, ” Forbidden Broadway” “Richard the Third”, “From Here To Eternity”, “The Commitments”, “Strangers On A Train”, ”A Midsummer Nights Dream”, ”Merrily We Roll Along”, “ Privates on Parade” ”South Pacific”, “Top Hat”, “Hairspray”, “Passion”, ”Legally Blonde”, ”End of the Rainbow”, “Piaf”, “Sweet Charity”, “Frost/Nixon”, “Guys and Dolls”, “The Producers”, ”Kiss Me Kate”, “Starlight Express” and “Thoroughly Modern Millie”.

Nationwide productions include: The Madness of King George for Nottingham Playhouse and National Theatre LIVE”, “CILLA the Musical”, “White Christmas”, ”Chitty Chitty Bang Bang”, “We Will Rock You”, ”Nine To Five”, “A Damsel in Distress” at Chichester Festival Theatre, “Benidorm the Musical”, “Abigail’s Party” and “Little Britain Live”. He owns London’s Wig Specialities, Film credits include “The Ghost Writer”, “Titanic”, “It’s De-Lovely”, “Star Wars”, “Mask of Zorro”, “Disney’s Santa Clause” and Richard Harris as Dumbledore in Harry Potter.

Television includes: “ITV’s CILLA”, “Vikings”, “Black Sails”, “Ripper Street”, “Mr Selfridge”, “Little Britain”, “Catherine Tate Show”, “French and Saunders”, “Poirot”, ‘’Miss Marple’, “Gavin and Stacey”, “House of Saddam” and “Larkrise to Candleford”.

Richard is Personal wig-maker to Sir Sean Connery, Kylie Minogue, Sheridan Smith, Paloma Faith, Jessie Jand Dame Edna Everage..

Oscar-nominated John Cameron created the orchestrations for the 1991 Palladium production of Joseph & the Amazing Technicolor Dreamcoat. He is best known for his orchestral score for every version of Les Misérables between 1979 and 2006 including the original Robert Hosse in production in 1980 through the RSC, Broadway, tour and concert versions, winning the New York Drama Desk Award for Orchestration in 1986 and the National Broadway Theatre Award in 2002. Other shows he has arranged include Honk, & Spend, Spend, Spend. Zorro The Musical which he co-composed with the Gipsy Kings was nominated for an Olivier Award in 2009.

As a composer, John’s 50+ movie scores Include the Oscar nominated score for A Touch of Class, the British classic Kes and the Emmy Nominated score for The Path to 9-11.

Songwriting hits include Agnetha Faltskog’s If I Thought You’d Ever Change Your Mind. Concert works include the cantata Missa Celtica recorded with the English Chamber Orchestra and the choir of New College Oxford. Recording artists worked with include Jose Carreras, Donovan, Hot Chocolate and Heatwave.

In 2014, Nils’ Wonderful Adventure a musical in Mandarin Chinese, with music and original English lyrics by John, won a Golden Lion Award in China for Best Children’s Musical.

Post Pandemic, it’s great to see Joseph back on the stage, and like most of the music industry, John is looking forward to getting his other movie, TV and music theatre projects back on the rails!

Dr John Rigby is a conductor, musical supervisor and musicologist who initially studied orchestral conducting at the University of Huddersfield and the Royal Northern College of Music. He gained his PhD from Kings College London having researched the cultural resonances of Franz Lehár’s ‘Berlin’ operettas during the Weimar Republic. He also holds an honorary Doctor of Arts from Edge Hill University in recognition of his work in musical theatre and conducting.

West End credits include: An American in Paris (Dominion); Beautiful and Damned (Lyric); The Drowsy Chaperone (Novello); The King and I (Palladium); The Last Empress (Apollo, Hammersmith); Marguerite (Theatre Royal, Haymarket); Les Misérables (Palace and Queen’s Theatres); The Phantom of the Opera (Her Majesty’s); The Pirates of Penzance (Savoy); The Producers (Theatre Royal, Drury Lane); and Sinatra (Palladium).

As Musical Supervisor, he worked on the UK Tours of The Producers and The King and I; Cameron Mackintosh’s 25th Anniversary Tour of The Phantom of the Opera; the arena world tour of Jesus Christ Superstar; the new production of Miss Saigon at the Prince Edward Theatre and School of Rock at the Gillian Lynne Theatre. Currently, he is Co Musical Supervisor for Andrew Lloyd Webber’s new Cinderella, also at the Gillian Lynne Theatre.

Elsewhere, he has conducted Chess for English National Opera, Carmen Jones at London’s Royal Festival Hall, Madama Butterfly for Lyric Opera, Dublin, Carousel for Opera North and Die Fledermaus for Opera Holland Park, as well as enjoying regular concert engagements with the BBC Concert Orchestra, the City of Birmingham Symphony Orchestra, the City of London Sinfonia, the Hallé, the London Concert Orchestra, the Orchestra of Opera North, the Royal Philharmonic Orchestra, the Royal Scottish National Orchestra and the Ulster Orchestra.

John Rigby was nominated for Best Musical Direction for the 2019 production of Joseph and the Amazing Technicolour Dreamcoat at the 20^th Annual WhatsOnStage Awards and is delighted to be returning for this year’s revival.

Stuart is a freelance Casting Director. He was previously Head of Casting at ATG from 2012 to 2017. He was awarded the 2021 CDG Award for Best Casting in Theatre for Cyrano de Bergerac. Current credits include: & Juliet (Shaftesbury Theatre); Sister Act (Leicester Curve/Eventim Apollo/UK Tour); Singin’ in the Rain (Sadlers Wells, Intl. & UK Tour); Romeo & Juliet (Regent’s Park); The Rocky Horror Show (UK Tour); Joseph and the Amazing Technicolor Dreamcoat (Palladium 2021& UK Tour); The Da Vinci Code (UK Tour and West End), Rocky Horror Show (UK Tour), The Time Travellers Wife (Regional & West End).

As Casting Director for The Jamie Lloyd Company credits include: The Seagull, Cyrano de Bergerac (Playhouse Theatre); Betrayal (Harold Pinter Theatre/Broadway); Season Casting Director for Pinterat the Pinter (Pinter Theatre); Doctor Faustus (Duke of York’s); The Maids, The Homecoming, The Hothouse, The Ruling Class, Richard III, Macbeth, East is East, The Pride (Trafalgar Studios).

Other credits include: Joseph and the Amazing Technicolor Dreamcoat (Palladium 2019); Guys & Dolls (Sheffield Crucible); Terror, The Seagull, A Doll’s House (Lyric Hammersmith); The Rocky Horror Show (UK & European Tours); Hogarth’s Progress (Rose Theatre, Kingston); The Madness of George III, Skellig, The Memory of Water, Kindertransport (Notts Playhouse);The Spoils, Buried Child (Trafalgar Studios); The Choir (Citizens Theatre), The End of Longing, Women on the Verge of a Nervous Breakdown (Playhouse).

Film credits include: Everybody’s Talking About Jamie (Choreography Casting).

TV credits include: Dr Suess’ THE GRINCH musical (NBC/Sky)

Jo Hawes CDG was awarded the Special Recognition Olivier Award in 2020 after spending the last 26 years casting children in over 150 spectacular productions. Jo trained at LAMDA and began her career at the Theatre Royal Windsor in Stage Management. In London she was part of the Stage Management teams for ANNIE, THE PIRATES OF PENZANCE, ON YOUR TOES and LA CAGES AUX FOLLES. Following several years as a theatrical PA she became the Children’s Casting Director for OLIVER! at the London Palladium in 1995. Many spectacular shows have followed-current and forth coming productions include LES MISERABLES in London and on tour, MARY POPPINS, JOSEPH ANDTHE AMAZINGTECHNICOLOUR DREAMCOAT, BEDKNOBSAND BROOMSTICKS and THE OSMONDS. She is delighted to be casting the children for this production of THE DRIFTERS GIRL.

Jo runs a variety of courses and classes for children in the UK and abroad including Master classes in the Art of Auditioning, Performing Arts Holiday Courses with Mark Hedges and Caroline Grant and Mental Health Courses for chaperones.

She also co–owns Show stop Theatre School for 8–14year olds. Jo is the author of CHILDREN IN THEATRE–a guide for parents who find they have a performing child in their family.

Jo has been married to Tim, a trumpet player, for 36years. Their children are all involved in the industry and they live in Berkshire.

As Director: Weimar Cabaret (Barbican London); Hairspray, Sweet Charity, Les Misérables and West Side Story (Pimlico Opera)

As Director/Choreographer: Anton & Erin Dance Those Magical Musicals/Movies, From Broadway to Hollywood, Swing Time, Just Gotta Dance and That’s Entertainment (Anton Du Beke and Erin Boag, UK Tour); Anton and Erin’s Christmas Cracker (Royal Albert Hall) and Ballroom to Broadway (Anton Du Beke, UK Tour).

As Choreographer/Movement Director: Porgy and Bess (Royal Danish Opera, Copenhagen); The King’s Speech (Wyndhams Theatre & UK Tour), Backbeat (Duke of York’s, London/Toronto/Los Angeles);Rigoletto (Opera Holland Park); Samson et Delila, La Traviata, Madama Butterfly, Tosca and Dialogues des Carmelites (Grange Park Opera); Oklahoma! (Chichester Festival Theatre); Wuthering Heights (UK Tour); Marguerite (Haymarket Theatre, London and Japan); Kismet (English National Opera); The King and I (UK Tour); Nymph Errant(Minerva, Chichester) and The Vivien Ellis Awards (Her Majesty’s Theatre London).

As Associate/Rehearsal Director: Joseph and The Amazing Technicolor Dreamcoat (London Palladium), Chess (ENO); 42^nd Street (Theatre du Châtelet Paris); She Loves Me (Chichester Festival Theatre); Madama Butterfly (Grange Park Opera) and Shoes (Saddler’s Wells/Peacock Theatre).

As Assistant/Resident Choreographer: Gypsy (Savoy Theatre, London); Oliver! (London Palladium); Cats (New London Theatre); Anything Goes (Royal National Theatre & Theatre Royal, Drury Lane); On The Town (English National Opera & Theatre du Châtelet, Paris); Sinatra (London Palladium & UK Tour).

Mass Movement Choreography: Kynren, Season 1,2 & 3; Glasgow 2014 Commonwealth Games (Opening Ceremony); London 2012 Olympic and Paralympic Games (Opening and Closing Ceremonies); Manchester 2002 Commonwealth Games (Opening and Closing Ceremonies); Ajyal Youth Film Festival (Doha); The Big If (Hyde Park, London); United Arab Emirates 44^thNational Day Stadium Celebration (Abu Dhabi).

Training: BA (Hons) Musical Theatre, Millennium Performing Arts

Choreography includes: Singin’ in the Rain (Sadlers Well’s/Japan/UK Tour/International Tour/Australian Tour/Moscow/Russia); Dr Suess’ How the Grinch Stole Christmas (UK Tour); Joseph & The Amazing Technicolor Dreamcoat (Kilworth House); Crimes of the Heart (Arts Ed); Oliver! (Curve, Leicester); The Producers (UK Tour); Peter Pan (Civic Theatre, Chelmsford), Mountview Showcase 2014 (Criterion Theatre), The Railway Ball – A Tribute to Musical Theatre (Grosvenor House).

Theatre credits include: Dance Captain/Swing in Matilda (Cambridge Theatre); Dance Captain and Swing in Half a Sixpence (Chichester Festival Theatre & Noël Coward); Dance Captain in Oliver! (Curve Theatre); Assistant Choreographer and Swing in The Producers (UK Tour); Dance Captain and Swing in Ghost the Musical (UK Tour); Ensemble in Singin’ in the Rain (Chichester Festival Theatre and Palace Theatre); Winnie in 42nd Street (Curve Theatre); Dance Captain and featured Soloist in Shoes the Musical (Peacock Theatre); Dance Captain & understudy Serena in Fame (Ireland tour)

Broadway credits include: An American in Paris, Prince of Broadway, Holiday Inn, Gigi, Side Show, Big Fish, Curtains, and the upcoming Company.

London credits include: Joseph..(2019), An American in Paris, and Company.

Film and television credits include: Beauty and the Beast (2017), Hail, Caesar!,“A Christmas Story Live,” and “Good Behavior.”

As composer: Bunnicula, #DateMe, Red Eye of Love, Love and Real Estate (all off-Broadway),The Taming of the Shrew (Shakespeare in the Park.)

Other theater work includes: Susan Stroman’s Little Dancer (Kennedy Center, Seattle’s 5th Avenue) and The Beast in the Jungle (Vineyard Theater), The Trumpet of the Swan (Kennedy Center), The Honeymooners (Paper Mill), Ever After (Atlanta’s Alliance), and music supervisor for Dreamgirls (U.S. national tour, Korea, South Africa, Japan). Sam is a winner of the Jonathan Larson Award and a graduate of the University of Michigan. For more information, visit samdavismusic.com

Simon Gooding is one of the UK’s most prolific production managers with a career spanning 40 years. Simon Gooding Production Management Ltd provides Production Management services around the globe to both touring and residential theatre productions.

Recent SGPM Ltd credits include: PRETTY WOMAN–West End, BEAUTIFUL–UK tour, WHITE CHRISTMAS – WestEnd, JOSEPH AND THE AMAZING TECHNICOLOR DREAMCOAT–West End, ON YOUR FEET–UK tour and West End, THE ROCKY HORROR SHOW–UK tour, WHITE CHRISTMAS – Leicester, MAGIC MIKE – West End, BENIDORM LIVE–UK tour, AN OFFICER AND A GENTLEMAN – UK tour, CATS-International tour, EVITA-International tour, SUNSET BOULEVARD-UK tour, ANNIE-West End, Toronto and UK tour, CRAZY FOR YOU-UK tour, GREASE-UK tour, NATIVITY-UK tour, SISTER ACT-UK tour, FUNNY GIRL-UK tour, to name but a few.

Theatre credits include: Cinderella The Musical (Gillian Lynne Theatre); City Of Angels (Garrick Theatre); Pretty Woman (Piccadilly Theatre); Uncle Vanya (Harold Pinter Theatre); White Christmas (Dominion Theatre);  Spongebob Squarepants The Musical (Nickelodeon Broadcast); Noises Off (Garrick Theatre); Two Ladies (The Bridge Theatre); Joseph And The Amazing Technicolour Dreamcoat (Palladium Theatre); Jesus Christ Superstar (Barbican & US Tour); Hansel and Gretel (ENO & Regent’s Park Theatre); The Starry Messenger (Wyndhams Theatre); Three Sisters & The Hunt (Almedia Theatre); Guys & Dolls (Théâtre Marigny, Paris); Ian McKellen Live On Stage (UK Tour); The Price (Wyndhams Theatre); Home I’m Darling (Duke Of Yorks Theatre); An Ideal Husband (Vaudeville Theatre); The Exorcist (Phoenix Theatre); Cat On A Hot Tin Roof (Apollo Theatre); Don Juan in Soho (Wyndhams Theatre); Stepping Out (Vaudeville Theatre); Nice Fish (Harold Pinter Theatre); Wind in the Willows (UK Tour & West End); Aladdin the Musical (Prince Edward Theatre); Funny Girl (Savoy Theatre & Menier Chocolate Factory & UK Tour); A Christmas Carol (Noel Coward Theatre); Blithe Spirit (Gielgud Theatre & Ahmanson Theatre, Los Angeles); The River (Circle in the Square, Broadway); Speed the Plow (Playhouse Theatre); Monty Python Live (O2 Arena); Benvenuto Cellini, Eugene Onegin & The Death of Klinghoffer (English National Opera); Bodyguard the Musical (UK Tour & Australia); Mojo (Harold Pinter Theatre); Testament of Mary (Walter Kerr Theatre, Broadway); The Little Mermaid (Tokyo, Moscow and Netherlands).

Also including various productions at Regents Park Open Air Theatre, The Donmar Warehouse, The Old Vic Theatre, Chichester Festival Theatre & Theatre Royal Bath

Music credits include: Brit Awards 2018 – 2020 Mariah Carey’s All I Want for Christmas European Tour and Robbie Williams’ The Heavy Entertainment Show World Tour.

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